Hässliche Musik. Parodie, Deformation, Entstellung und Negativ-Schönes in Richard Wagners Ring des Nibelungen

نویسندگان

چکیده

Aesthetics in the second half of 19th century (Carl Rosenkranz, Christian Hermann Weisse) never defines ugly as an independent category, but rather derives it from idea beauty. Ugliness is either understood a dialectic way negation beauty or decadent transformation becoming funny even ridiculous. Rosenkranz comprehends lies and madness deformations former Taking deformation criterion for musical analysis, however, can hardly be successful any variational development motif entails kind deformation. In Richard Wagner’s Ring des Nibelungen ugliness rendered by variety features. The figure Mime seems to least complicated analysis this respect, since Wagner creates self-analytical distance designing old-fashioned anachronistic character, making him precise counterpart modern genius incorporated into idiom Siegfried. difference between craftsmanship on one side creation other is, therefore, no longer matter style, becomes more aporetic separate “beautiful” “ugly” score alone. Alberich, through which Evil probably articulated most obvious manner, may analyzed under perspectives symbolized diminished chord key element idiom. This article gives number further examples conceptualization Ring. Music aesthetics music theory merge deficient (“Negativ-Schönes”) takes significant role within process.

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ژورنال

عنوان ژورنال: GMTH proceedings

سال: 2022

ISSN: ['2701-9500']

DOI: https://doi.org/10.31751/p.73